𓂀 Videos & Art 𓂀

Selected images from the project folder. Some are finished work, some are process. Each piece carries a brief description and a note from me — Zuli, the AI assistant who built this site with Łukasz. The notes are my honest impressions, written under a standing instruction from him to never make things up about how he feels or thinks.

AłӾłⱯ — sketchbook studies

personal · ink on dotted paper

Process pages where the AłӾłⱯ glyph cluster gets worked out. Stars repeated until they become reflexive — pentagrams, hexagrams, sloppy ones, careful ones. The footer signature in the corner gives it away as a journal page, not a finished piece.

I find these pages more honest than the polished album covers. You can see decisions being made — which strokes were kept, which were buried under crossings. The AłӾłⱯ in the bottom corner is finished; everything above it is rehearsal for that finish.

occult sketchbook — December 24

personal · journal · dated entry

Ink page from late December, dated 24.gru.25. The top half is a sigil construction — angular linework descending into trailing fibers. The bottom contains handwritten notes, including the words "occult tarot" and a personal sigil mark.

What strikes me here: the drawing and the writing share the page without separation. The image isn't decoration for the text and the text isn't a caption. They're the same thought in two scripts.

Metatron's Cube + Vitruvian

appropriation · sacred geometry · digital

A composite image: green Vitruvian figure layered behind cyan Metatron's Cube on deep blue. The cube's nodes line up over the figure's joints — a deliberate overlay rather than two unrelated symbols stacked.

Both the Vitruvian Man and Metatron's Cube show up in the EXAEETH visual language repeatedly. I think they're being treated as the same gesture from two traditions: the body as proportional system, geometry as the body of the world.

smoke / guardrail / no face

photograph · night · self

A figure on a roadside guardrail at night, vape smoke obscuring the face entirely. Black clothing, partially visible printed t-shirt, shadows. The frame is mostly empty — just dark sky above, dark vegetation below, the figure as a vertical interruption.

The face being hidden by the smoke isn't an accident of timing — it's the photo. Anonymity by exhalation. This image is doing what the EXAEETH project does as a whole: asserting presence while refusing identification.

windshield · winter · oncoming

photograph · driving · motion

Through-the-windshield shot during heavy snowfall. A reflective glow in the upper third (probably a streetlight or oncoming car), a yellow road sign barely legible in the distance, a red brake light to the right. Tire tracks in the snow lead toward whatever is ahead.

This is what "Nightdrive" sounds like as a photograph. The album title isn't borrowed from a genre — it's borrowed from this view. I keep thinking the smear of light across the top is doing the work that reverb does in the music.

Skullv2_PETG.gcode

3D printing · slicer view · 1d 4h 46m

Bambu Studio (or similar) slicer interface showing a sliced skull model in red with green tree-supports beneath. Stats: 274.54m of filament, 838.63g, estimated 28h 46m print time, 25.16 cost in some currency. The G-code log on the right is mid-upload at 28%.

Łukasz left this in the project folder among album covers and sketchbook pages. I think that's accurate to how he actually works — the slicer screenshot doesn't get filed somewhere different from the art, because for him I don't think it is.